The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. Here, evil takes the shape of fire-breathing dragons-beasts that feed off chaos and imbalance-set on destroying humankind. No, the Nameless One is not a new nickname for Voldemort.
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Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.Ī tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Īfter 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S.
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Indeed, the novel does double duty as a survival manual, packed full of good advice-for instance, try not to get wounded, for “injury turns you from a giver to a taker.
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Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense.
A brilliantly accomplished yarn that smolders bravely without quite catching fire.Īre we not men? We are-well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).Ī zombie apocalypse is one thing. Anderson writes in a modern Anglo- Saxon, full of words that long ago vanished from English and if readers are sent scurrying to consult dictionaries and encyclopedias-so much the better.
Eventually, after many further adventures, Hadding will relinquish his kingdom to his hotheaded children and give himself to Odin, thereby ending the dispute among the gods. Later, helped by a disguised Odin, Hadding overcomes Svipdag, but the latter's son Uffi retains control of Geatland and Svithjod, and the blood feud between them drags on for years. Meanwhile, Svipdag, King of Geatland and Svithjod (Sweden), invades Denmark and kills Gram. To ensure his safety, young Hadding is sent to live with a family of jotuns, or giants. So Odin arranges for Njord's avatar to be born in the world of men as Hadding, son of King Gram Skjoldung of Denmark. Following a disastrous war of the gods between the Aesir and the Vanir, the Vanir Njord becomes an implacable foe of the Aesir and their chief, Odin. 26, etc.) offers a Dark Age saga based on Old Scandinavian mythology and the exploits of the legendary Danish King Hadding (cf. Veteran pro Anderson (The Fleet of Stars, p.
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